Born in 1970, Jörg Bellinghausen has had an interest in history and martial arts his entire life. Having been trained in saber fencing by a former German National team coach and having studied karate under one of the instructors of GSG9, the elite counter-terrorism unit of the German Federal Police, he turned to historical Western martial arts in 1991, with emphasis on the German fencing masters from the 14th to the 16th century. His favorite weapons are the longsword and the dagger. He was certified as an instructor for Historical Swordsmanship by the Bavarian Fencing Federation in early 2007.
Sean Hayes is a fencing
master trained in classical Italian
fencing pedagogy under Dr. William M.
Gaugler at the San
Jose State University Fencing Masters
Program. He has studied Western
martial arts since the early 1990s and
is also a well-known and respected researcher,
teacher and practitioner of the systems
of Royal Armouries Manuscript I.33 and
of Fiore dei Liberi's "Fior di Battaglia." Hayes
is a full-time teacher and practitioner
of Western martial arts, teaching classical
Italian fencing and medieval Italian
martial arts for the University of Oregon
and privately through his own school,
Academy of Arms, in Eugene, Ore.
Born in Switzerland and raised in Italy, Tom Leoni is an internationally recognized Western martial arts researcher, teacher and author specializing in the Italian styles of the 1500s and 1600s, including the halberd and other polearms. As the leading researcher of the rapier system of Salvator Fabris, he published the first English translation of Fabris’ 1606 treatise “Scienza d’Arme,” which was issued as “The Art of Dueling” by Chivalry Bookshelf. Tom lives in Alexandria, Va., where he runs the historical martial arts group he founded, the Order of the Seven Hearts. By day, he is a writer for a D.C.-based company.
Gregory Mele has pursued reconstructing European swordsmanship since the mid-1980s. In 1999, he co-founded the Chicago Swordplay Guild, and later that same year, he organized and hosted the first Western Martial Arts Workshop as an effort to promote these arts among practitioners throughout North America. Mele co-authored, with Luca Porzio, "Arte Gladiatoria Dimicandi: The 15th Century Swordsmanship of Master Filippo Vadi" (Chivalry Bookshelf, 2003), was a contributor to Spada: An Anthology of Swordsmanship (Chivalry Bookshelf, 2003) and has presented several papers at the Kalamazoo Medieval Conference. His current interests and research center on Italian martial traditions from the 14th to mid-16th centuries, particularly the dei Liberi tradition, Bolognese staff-weapon play and the schermo of Angelo Viggiani.
A veteran of the martial and performing arts, New Zealander Tony Wolf has worked as a martial arts instructor, professional wrestler and fight director/stunt co-ordinator. Between 1988 and 1994, he developed his original Wolf System of performance/combat exercises, which has been taught to actors, martial artists, stunt performers and stage combat specialists throughout the world.
Tony's fight direction and action design have been featured in more than 200 feature film, television, theatre, opera and ballet productions. Between 1998 and 2000, he served as the “fighting styles designer” for Peter Jackson’s “Lord of the Rings” movie trilogy. Tony regularly teaches a range of master classes and seminars for martial arts associations, universities, stunt teams, acting academies and performance conferences throughout New Zealand, Australia, the USA, Canada and Europe.
Tony also serves as the editor for the EJMAS Journal of Manly Arts, a scholarly online journal focusing on the martial arts and combat sports of the Victorian and Edwardian eras, and in 2005 he edited the Bartitsu Compendium, a complete history of E.W. Barton-Wright's "New Art of Self Defence." He is an Acknowledged Instructor with the Historical Maritime Combat Association and also serves on the advisory board of the American Heritage Fighting Arts Association.